Sunny: Girls Just Wanna Continue Having Fun When They're Older

I knew within about three minutes that I was going to love Kang Hyeong-Cheol's Sunny, an adroitly crafted chick flick about a girl gang in high school that slowly reunites 25 years later after Na-mi (Yu Ho-jeong/Sim Eun-kyeong), the artsy one, discovers the group's tough leader Chun-hwa (Jin Hee-kyung/Kang So-ra) is dying of cancer in the same hospital at which Na-mi's soap-opera-devoted mother (Kim Hye-ok) is a patient. This chance encounter has a domino effect, as Na-mi begins tracking down the other five girlfriends, all of whom now lead frustrated lives though each for quite different reasons.

Jin-hee (Hong Jin-hee/Park Jin-hoo) has gone from potty-mouthed punk to rich-but-dissatisfied wife, Bok-hee (Kim Seon-kyeong/Kim Bo-mi) has fallen from aspiring beauty queen to prostitute, Jang-mi (Go Su-hee/Kim Min-yeong) has devolved from class clown to second-rate insurance agent... As each new friend re-enters the picture, new memories surface -- the turf rivalry with a girl gang called Generations, the teenage crush on dreamy Joon-ho (Kim Si-hoo), the life-changing day when the prettiest one (Yoon Jeong/Min-Hyo-rin) gets cut in the face by a glue-sniffer.

The performances are of the hammier variety: The cast wails when asked to cry and makes their eyes pop when a raised eyebrow would suffice. But the broad style never gets in the way of the story or prevents the flow of tears. You'd have to be one tough cookie not to soften up as Sunny flashes back and forth between the innocence of youth and what might be best referred to as the resignation of middle age. Corny and sentimental as it is, Sunny nonetheless acts as a rallying cry to re-engage with your life, to never relinquish your dreams and to reclaim your rightful place as the protagonist in your own story.

I think one of the reasons Sunny is so effective is that it understands how strongly we identify with our younger selves. "We are always the same age inside," Gertrude Stein once quipped. And she's right. Painfully so. Exquisitely so. For though the body may tire, and disappointments may mount, the inner adolescent -- ever ready for discovery -- remains intact and little changed. Step outside your own petty grievances. Look around you with fresh eyes. It's never to late for your old self to rejuvenate or your young self to be reborn.

Hansel & Gretel: The Babies of Beelzebub

Childhood, smilehood. Put it that way, and it all sounds so cloyingly sweet, doesn't it? Well, it's just that kind of sickly preciosity that Yim Pil-sung is scrutinizing in his K-horror remake of the Grimm fairy tale. His Hansel & Gretel is no faithful adaptation, however, dear reader, for despite the title, there are three kids, not two, and the carnivorous witch is long gone leaving the children to lure unsuspecting adults to that cozy-looking house in the woods. Babysitters, beware! The oldest child (Eun Won-jae) has diabolical tantrums; the middle one (Sim eun-kyung) struggles with weird sexual boundaries; and the baby (Jin Ji-hee) vacillates between creepy and cute -- as all tykes tend to do. Since mom and dad can't set proper boundaries in absentia, their latest adopted uncle (Cheon Jeong-myeong) must take on the duties of childcare which here means balancing genuine affection with a growing realization that these three are akin to Satan's spawn. When an ungodly deacon (Park Hee-soon) enters the scene, things go from bad to worse. Suddenly, siding with sociopathic delinquents seems like the lesser of two evils. Wicked comes in all sizes and age groups evidently. Sometimes, you should stab indiscriminately. And run!