Showing posts with label kang hyeong-cheol. Show all posts
Showing posts with label kang hyeong-cheol. Show all posts

Friday, March 13, 2015

Tazza: The Hidden Card: War Is a Card Game

No one's saying that you need when to know when to play the crane and when to play the butterflies in the card game Go-Stop in order to be able to follow the action in Kang Hyeong-cheol's Tazza: The Hidden Card. For someone like me (i.e., a completely ignoramus), each time a card was thrown down -- be it the cuckoo or the sake cup -- I had to wait for the collective onscreen reactions before I knew who'd won and who'd lost. Here's what I could follow.

Teen hustler De-gil (Choi Seung-hyun) only has eyes for the sassy sister (Shin Se-kyung) of a neighborhood boy (Kim In-kwon) until he sees a dancing cartoon character on the clean white panties of a femme fatale (Lee Ha-nui) who basically sells one of his kidneys for a big score which leads him to a life on the run where he encounters a small-time crook (Yoo Hae-jin) who's got big life lessons to share that come in handy when he's forced to face off with two master criminals (Kim Yun-seok and Kwak Do-won).

For clarity's sake I've edited out all the backstabbing betrayals and shaky partnerships that precede the final Go-Stop game conducted in underwear (which came as a let-down after a promise of nudity in the subtitled dialogue). By that point, you won't give a damn about how the actual card game works because you'll be too invested in the various players and how they're playing each other.

You might not know it from the title and you'd certainly never guess it from watching the movie but Tazza: The Hidden Card is actually a sequel, the follow-up to Choi Dong-hoon's immensely box office smash Tazza: The High Rollers. Though the two movies feature return performances by a couple of actors — but sadly not Kim Hye-su who was such a wonderful dragon lady in the original — the majority of the cast as well as the director (Kang Hyeong-choi) and his writing collaborators (Cho Sang-bum and Lee Ji-gang) are entirely new. If there were any major narrative callbacks to the original, I certainly didn't catch them. Nor did I miss them. Nor did I want them.

Saturday, February 11, 2012

Sunny: Girls Just Wanna Continue Having Fun When They're Older

I knew within about three minutes that I was going to love Kang Hyeong-Cheol's Sunny, an adroitly crafted chick flick about a girl gang in high school that slowly reunites 25 years later after Na-mi (Yu Ho-jeong/Sim Eun-kyeong), the artsy one, discovers the group's tough leader Chun-hwa (Jin Hee-kyung/Kang So-ra) is dying of cancer in the same hospital at which Na-mi's soap-opera-devoted mother (Kim Hye-ok) is a patient. This chance encounter has a domino effect, as Na-mi begins tracking down the other five girlfriends, all of whom now lead frustrated lives though each for quite different reasons.

Jin-hee (Hong Jin-hee/Park Jin-hoo) has gone from potty-mouthed punk to rich-but-dissatisfied wife, Bok-hee (Kim Seon-kyeong/Kim Bo-mi) has fallen from aspiring beauty queen to prostitute, Jang-mi (Go Su-hee/Kim Min-yeong) has devolved from class clown to second-rate insurance agent... As each new friend re-enters the picture, new memories surface -- the turf rivalry with a girl gang called Generations, the teenage crush on dreamy Joon-ho (Kim Si-hoo), the life-changing day when the prettiest one (Yoon Jeong/Min-Hyo-rin) gets cut in the face by a glue-sniffer.

The performances are of the hammier variety: The cast wails when asked to cry and makes their eyes pop when a raised eyebrow would suffice. But the broad style never gets in the way of the story or prevents the flow of tears. You'd have to be one tough cookie not to soften up as Sunny flashes back and forth between the innocence of youth and what might be best referred to as the resignation of middle age. Corny and sentimental as it is, Sunny nonetheless acts as a rallying cry to re-engage with your life, to never relinquish your dreams and to reclaim your rightful place as the protagonist in your own story.

I think one of the reasons Sunny is so effective is that it understands how strongly we identify with our younger selves. "We are always the same age inside," Gertrude Stein once quipped. And she's right. Painfully so. Exquisitely so. For though the body may tire, and disappointments may mount, the inner adolescent -- ever ready for discovery -- remains intact and little changed. Step outside your own petty grievances. Look around you with fresh eyes. It's never to late for your old self to rejuvenate or your young self to be reborn.