Meet Mr. Daddy: The Worst Dad Ever And Then...

Boo-hoo. Your life is so sad. Cry me a river.

Or compare your life to that of Jong-dae (Park Shin-yang), Meet Mr. Daddy's small time hood with a cataract, who lives in a rusty old trailer and has suddenly found out that he's the father of a little girl who's set to be adopted abroad. Think he's spending endless nights — tossing and turning in bed — because he can't be a bullfighter and has to settle for a good brown contact lens? He's way too busy trying to ensure his boss's highly prized fighting dog doesn't bite his face off!

For that matter compare your life to his daughter Joon (Seo Shin-ae) who actually isn't about to be adopted by any rich American parents and who is, in fact, dying of some disease that flashed across the screen really quickly via subtitles and which I've never heard of but I'm pretty sure it's terminal since we see her vomit multiple times. She's also got a lethal dose of cuteness and I mean that in the best way possible. She's adorable! Is she crying because her only toys are a soccer ball, two chickens and a rooster? Nope!

The only one in this movie whose life might bare comparison — unless you actually do have an evil eye and a kid who's about to meet the maker — is Sun-young (Ye Ji-won), the social worker. She's got a job, a sense of purpose, a boyfriend who wants to take it to the next level... And yet tellingly she's the one who's screaming and crying all the time. Not Jong-dae. Not Joon. Typical, right? What's got her so upset? Oh, just life in general, I guess.

And you're like her, right? Sometimes you're just sad and angry and frustrated and lonely just because. Well, I'm like her (and you) too. And I cried buckets during Park Kwang-su's Meet Mr. Daddy (a.k.a. Shiny Day) maybe because of that. Which isn't to say it's a great movie. It's more to say that sometimes you just need a good cry, not because your life is so sad, but because it isn't but you're only human. If that's where you're at, have I got a movie for you!

Best when watched alone.

Now and Forever: Love You to Death

Somebody help me. I've seen nearly all the good Korean movies on Netflix and Amazon Prime and I'm now stuck watching crap like director Kim Seong-jung's sappy romance about two terminally ill "beautiful people" who hide their fatal diagnoses from each other as the ultimate expression of their death-defying, tragic, self-sacrificing love. She's got a heart ailment. He's got a brain tumor. I've got a headache and gas. And the discomforts don't end there either.

Aside from her cardiopulmonary issues, Han Hye-won (Choi Ji-woo) has some mental deficiencies too -- so much so that for a good stretch of the movie, I assumed that she was in the Psych Ward, not the ICU. Choi clowns around -- giving sudden looks of total incomprehension then giggling inappropriately -- so often that you assume the doctors must periodically instruct her to stand on her head just to ensure she gets some blood to her brain. The drama, surrounding her constant "escapes" from the hospital, suggests a staff that thinks she's a desperate case. But since her best friend Soo-jin (Seo Yeong-hie) periodically takes Hye-won's medicine in the butt cheek, you wonder if the patient is just getting placebos in the end.

That Lee Min-su (Jo Han-seon) pursues her so arduously, intellectual lightweight that she is, isn't romantic so much as creepy. A self-styled ladykiller, he's apparently bedded so many independent women (all with abandonment issues) that his devotion to a half-wit feels a bit predatory. Here's a woman with only one real friend, a rarely visited father, half a brain and half a heart. Are those wedding bells he's hearing or the bells of bedlam? Is he in love or has he simply lost his mind?

Min-su's sidekick Kyung-min (Choi Seong-guk) is infinitely sweeter, if a bit of a dingdong. Falling in love with Soo-jin may be equally irrational but it's also pretty harmless and pretty amusing. You won't cry when the two best friends get together in Now and Forever but you won't vomit in your mouth either. Small victories!

Born to Sing: Live to Cry

Do I cry too easily? Possibly. Because even a very predictable, conventional movie about a talent show and its hard-luck singing contestants can turn me into a bucket of tears. I don't know why I'm so easily manipulated even when, like with Born to Sing, I can see where it's going right from the very beginning. The forgetful old man (Oh Hyeong-kyeong) with the prickly granddaughter (Kim Hwan-hee) is going to get the love he deserves; the bashful 20-something (Lee Cho-hee) swoony for her adorable co-worker (Yoo Yeon-seok) is going to get kissed, married and laid in that order; and the henpecked has-been (Kim In-kwon) is going to get back to his rock roots and win over a nation and his hairdressing wife (Ryu Hyeon-kyeong). I cried for every story, every success, every cliche. Pretty much every time!

Before the tears, I confess my interest in Born to Sing was fleeting. As directed by Lee Jong-pil, this sitcom of uplift isn't as competent in building back stories or belly laughs. The comic relief -- an off-key mayor (Kim Su-mi), an overaged delivery boy (Kim Jung-gi) and a self-advancing politico (Oh Kwang-rok) -- are each a little too real. What could've been a series of comically quirky characters come across as sad, small-town lives. Not that sad, mind you. I didn't cry for them. They're more depressing in a lightweight, inoffensive kind of way. Like people you meet in life, people who have their own small dreams and self-delusions, people that aren't going to win and who you'll never see again so really what does it matter.

Is there a subversive message here? Are we expected to chase our dreams and not settle for less after watching Born to Sing? Should we crash the karaoke bars and open mics and company off-site talent shows? To be honest, I hardly think so. I think we'd be better off heading to the cineplex to see good movies like this one and, if we're lucky, something better.