Innocent Steps: Cry, Cry, Cha-cha-cha

Though the movie's ostensibly about a couple of ballroom dancers, Innocent Steps has very few actual dance numbers. There's one in the beginning in which our hero Young-sae (Park Keon-hyeong), the country's greatest dance instructor, tries to be a competitor but ends up just getting hurt by jealous rivals. Then there's another flashy sequence near the end in which Young-sae's latest pupil and immigrant Chinese wife Chae-rin (Moon Geun-young) shakes her hips in the Nationals while partnering with his soulless enemy Hyun-soo (Yun Chang). Much of the time in between, however, this pic misses out on opportunities for tacky costumes and athletic moves and focuses instead on the two leads' budding love story. You see, Young-sae and Chae-rin are destined to be a real married couple (and not just an arranged one) since he's got so much to teach her about fusing the samba with ballet, and she's got so much to teach him about the magic of fireflies.

Writer-director (and sometime actor) Park Young-hoon's crafted a sappy story to be sure but I still welled up when the two estranged lovers went to the marriage bureau section of the immigration office and told stories of how much they loved each other, even if she'd basically caved under outside pressures to dance with the very evil blond rival who'd hired thugs to cripple her unlawfully wedded husband. The two sweeties eventually work things out in time for the credits which have probably the best dance sequence of all. (Does the fedora ever lose its charm? Apparently not!) I only wish Young-sae and Chae-rin had spent more time hanging out with goofy Chul-Yong (Kim Gi-su) and his giddy partner (Jeong Yu-mi) who got matching cornrows for the championship, even if no one ever took them serious as contenders.

As to the government inspectors investigating whether Young-sae and Chae-rin are really a couple or not, the less said the better.

Lovers' Concerto: This Love Triangle Works Every Angle

Before it spins off into a cuckoo weepie of the three hanky variety, Lee Han's Lovers' Concerto is actually a damned good romance, and I'm speaking as one who isn't a fan of that particular genre. But this periodically sweet, youthfully true, emotionally complex love story about three directionless friends just out of high school -- one boy named Ji-hwan (Cha Tae-hyu) and two girls, Su-in (Son Ye-jin) and Kyeong-hee (Lee Eun-ju) -- conveys a certain freshness (in both senses of the word) by constantly shifting who is pining after whom, even as they're all constantly falling in love with each other all over again. So while Ji-hwan claims love at first sight for Su-in, you can immediately see that Kyeong-hee is just as quickly smitten with him. Soon thereafter, Su-in warms up to Ji-hwan even as Ji-hwan is fast realizing that Kyeong-hee has her unique charms. Even Su-in and Kyeong-hee have special feelings for each other. In a way, you kind of wish they'd all have an orgy sanctified by the state. Without question, Lovers' Concerto has an overabundance of passion that reminds you what it was like to give of yourself without getting too caught up in the caution that comes after your first real breakup, your first real betrayal and your first disillusionment. Each characters in Lovers' Concerto is untried when it comes to amor so while they may be nervous about taking a leap, they're not bitter. That two of them are suffering from unnamed but fatal diseases is just tragic icing on the cake.

Did the cake need the icing though? I'm not so sure. I saw a few possible endings that weren't so treacly but Lee is clearly committed into making the audience feel a varieties of bittersweet pain, and since he pulls off most of them, I, for one, will forgive him the film's minor failures. A secondary plot involving Ji-hwan's younger sister (Moon Geun-young) and her crush -- the handsome guy (Kim Nam-jin) who works at the bookstore -- somehow feels organic to the whole. It's nice to have some moments to breathe between all that heaving by the exquisitely fraught threesome that is Lovers' Concerto.

My Little Bride: Sixteen Going on Ten

What does it take to get a bratty, egotistical teenager (Mun Geun-young) to realize that the man her grandfather has tricked her into marrying happens to be the cutest, sweetest, most loyal guy this side of the 38th parallel? Evidently, enough evidence to solve all the mysteries of Agatha Christie and Ellery Queen combined. This guy (Kim Rae-won) never demands sex, lets her tell the neighbors he's gay, goes on his honeymoon alone, doesn't try to kiss her, lets her date a swoony guy on the high school baseball team, stays up until all hours of the night to finish her art project without her knowing it, and won't let a soul criticize his little woman along the way. Clearly, a virgin wife is prized by this man. I guess he figures that he's going to get a satisfying payoff in the end. That she's a fairly unlikable young lady with little charm and prone to make ugly faces makes his patience with her misbehavior a strain to credulity. It also gives this romantic comedy a schizoid edge that prevents it from ever feeling like treacle. An effective comic turn from Ahn Sun-yeong as the lecherous spinster who teaches the class where the groom serves his internship brings some legit laughter to My Little Bride. Odd but not bad.