Showing posts with label jung ji-woo. Show all posts
Showing posts with label jung ji-woo. Show all posts

Monday, February 2, 2015

Happy End: Daddy Needs a Life More Than a Job

When actor Choi Min-sik is good, he's very, very good (Oldboy, Crying Fist, I Saw the Devil). But when he's bad, he's actually pretty bad. Happy End may show Choi at his worst. Playing a blubbering househusband unwilling to assume the household duties after he loses his job, and his wife (Jeon Do-yeon) becomes the family checkbook, Choi's Seo Min-ki is the embodiment of male prerogative. He believes, he has every right to spend his days reading romances at the local bookstore then jabbering about a soap opera with a lady neighbor all night long on the phone, even when the baby's crying, the kettle's boiling and his wife's catching up on paperwork. He doesn't care if the Mrs. is overextended. He's too busy feeling sorry for himself.

You can imagine Mr. Sulky-pants is going to get a lot sulkier when he learns that his wife isn't just clocking extra hours at the job. She's also working off some stress in the bed of a former beau (Ju Jin-mo) who as she says herself, her nails digging into his back and butt, "You've got a fantastic body." (Or something like that.) She may be living a life of deception but truer words were never spoken. Plus, since this hottie is the director of the website where she works, we know the dude's got computer skills, too. Is divorce an irrational next step?

That's not the story that writer-director Jung Ji-woo has scripted, though. You see, Mrs. Seo is committed both to her marriage and getting banged. Even if that means doping her baby to go on a bender. Maybe that's what happens for the respectable bourgeoisie who hold family above all. But if respect is the be-all, end-all, then Mr. Seo is going to end-all to be-all in the end. The murderous plot he concocts to do this has registered with one viewer as completely implausible and unlikely to fool a trained detective. But said viewer wanted to see Mr. Seo put away for life for the crime of whining. Surely, there must be some country that outlaws self-pity.

Thursday, December 6, 2012

Blossom Again: He Broke Her Heart in Three Separate Pieces

I can buy the idea of Joh In-yeong (Kim Jeong-eun), a dissatisfied, confused 30-year-old woman falling in love with Lee-suk (Lee Tae-sung), her 17-year-old, possibly learning-disabled student who looks exactly like her first boyfriend who bizarrely happens to have had the same name. What I don't and won't buy is that there's also a teenaged girl named Joh In-yeong (Jeong Yu-mi) who is also in love with this Lee-suk lookalike who is also the identical twin of a guy named Lee-soo who just happens to be the first love of the younger In-yeong who now also is head over heels for the replacement. Lee-suk is king of the sloppy seconds! It isn't as confusing as it sounds. But it is as preposterous as it sounds. With all the repetitions of an Escher drawing but with none of the complexities, writer-director Jung Ji-woo's exasperating Blossom Again (a.k.a. Close to You a.k.a. Teacher's Pet a.k.a. Wisdom Tooth) is way too forcefully fanciful to be enjoyed as a tragic romance or a time-travel tragedy or a puzzle of perversion or a plain old piece of cinematic art.

When an original, now older Lee-suk (Kim Joon-seong) enters the picture, you're left with no option but to follow the lead of the old In-yeong's still-around boyfriend Jang-woo (Kim Yeong-jae) who can just grin and bear anything. Just how much Jang-woo is willing to smile through is kind of amazing. In-yeong says she still loves her very first boyfriend? Grin and bear it. In-yeong says she's got a crush on her underaged student? Grin and bear it. In-yeong comes home after screwing said student? Grin and bear it. In-yeong says she wants the apartment to herself so she can entertain said student alone Saturday night? Grin and bear it. Although in that last case, the grin is now kind of a grimace and Jang-woo sabotages In-yeong's twisted fantasy by bringing the old Lee-suk over for food and wine. Why Jang-woo loves In-yeong (and why either Lee-suk does too for that matter) is a contrivance that's even less believable than all the endless coincidences. Take another page from Jang-woo's book of behavior and permanently delete this movie from your brain. He used the index finger and thumb. I use the middle finger.