Chunhyang: Famous Courtesan Returns Better Dressed, Less Tragic

Oh no, not her again. Yes, it's another movie about Chunhyang (Lee Hyo-jeong), Korea's favorite daughter of a hooker, bride of the governor's son. And once again, she's too proud, too loyal, and too good for her own good. Because of that, she's still getting jilted when her young husband moves to Seoul. And she's still getting beaten by cudgels when the new governor (Lee Jung-hun) comes to town. So what does director Im Kwon-taek bring that's new to this torturous romance? A much younger leading man (Cho Seung-woo), lots of fabulous hats and robes, and a singer who narrates the action in front of a contemporary audience that acts like an Evangelical congregation. There's less tension here for both real and filmed audiences, as the director rushes the initial courtship as well as the subsequent punishment. In place of the venial and the penal, Kim shares excessive footage of the characters getting from Point A to Point B, which since they're always splendidly costumed, comes across as a dynastic fashion show in the great outdoors. There's also a strange brief moment when rainbow sperm shoot across the night sky but that aside, Kim's version is adamantly folksy, not flashy. Of the three renditions of this popular tale I've seen, this one's the least popular.

The Tale of Chun Hyang: Ever Hear the One About the Hooker and the Rich Man's Son?

Filmmakers Im Kwon-taek, Han Sang-hun, and Shin Sang-ok each made movies inspired by the tale of Chun-hyang. (In fact, Shin did it not once but twice.) In this North Korean version, director-actor Yu Won–jun puts yet another unique spin on the rags-to-riches fable. The basics remain the same: A prostitute's daughter marries a nobleman only to get dumped before the honeymoon glow has faded from her alabaster cheeks. But Yu has introduced some changes, too. First off, Chun-hyang is now a master weaver from the working class, not just some courtesan's daughter trained in the art of embroidery. Secondly, her rich suitor goes to a heck of a lot more trouble during their courtship which makes his subsequent (temporary) abandonment of her all the more painful. Clocking in at two-and-a-half hours, The Tale of Chun Hyang certainly isn't in a rush to make these points. It's also mercifully free of the propaganda that you might expect from a North Korean film. Why the movie chooses to downplay the sadistic behavior of Chun-hyang's second suitor may be because Yu has taken so long to get to this point in the story or because Yu cast himself in the role. Perhaps, he simply didn't feel like being a big screen meanie for any length of time.

Seong Chun-hyang: Hey Sweetheart! It's Easier to Die for Love

I think you could safely call Seong Chun-hyang a tragedy. For while the title character (played by Choi Eun-hie) does end up with the governor's son (Kim Jin-kyu), she nevertheless suffers through a number of brutal beatings and more than a few days in the stocks before she gets him. Her final reunion with the careerist husband who deserted her doesn't feel romantic. It feels like a marginal improvement over the decapitation she would have undergone if he hadn't come back to town. As happily ever afters go, Shin Sang-ok's paean to purity conforms strictly on superficial grounds. She sacrifices selflessly for him; he comes across as a self-absorbed jerk. This imbalance allows the director to take a sadistic pleasure in documenting the price that comes with living a virtuous life—made especially difficult since her mom's a locally famous whore. It's a theme Shin and screenwriter Lim Hee-jae would visit again (and more effectively) in My Mother and Her Guest. That's not to say Seong Chun-hyang isn't good. It is. Very much so. And with its gorgeous costumes in eye-popping yellows, pinks and greens and lighting effects in even more-lurid shades, Seong Chun-yang is never dull to watch. Someone should turn it into a musical.